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Colour Theory, An Aesthetics Perspective


Aesthetics is the philosophy of art. Color aesthetics forms part of art. This includes the concept of color and the relationship between color and philosophy. Aristotle believes that fire is the premise of vision, light is the energy of fire, color is the transition from power to energy. Before modern art, especially before the absence of oil painting, it was subject to the single type of color, although the color works were far from later. The color is beautiful, but the meaning and performance of color seems to be the instinct of human beings. Various religions use four basic pigments to express people's spiritual pursuits. After the birth of the oil painting color, the color is given an accurate concept, such as white and sacred noble, blue and spiritual, red and eternal, purple and neutral and rich, green and calm, brown and poor, black and evil, yellow and Ray, color completes the transcendence between symbol and reality. From Plato to Leonardo, the color can already be marked with a clock to describe early morning to noon, evening to midnight, sacred and evil, rich and poor, fanatic and peaceful.



In modern art, Matisse believes that if the precise characteristics of the feeling can be expressed in terms of color, then the process can be reversed, the color of the image creates its own feelings, the color is used to make people feel the emotion, the concept of color is monochromatic. Turning to the concept of grouping, several color blocks represent an

emotion. The audience feels these emotions through the combination of colors. Color begins to connect with psychology. Shelling believes that color is light (spirit) and body (material). Ultimately, Saussure also believes that color behaves in the same way as language, combining thought and sound. Kandinsky extracted the spirit of art, and color became a spiritual language. This time he compared different colors to different instruments, and the symphony played for the first time on the screen.


Today, consumerism and information are the subject of color. Bridget Riley believes that we should distinguish between pattern and sensual colors. People began to experiment with different experiments to prove that color is made up of the brain rather than the eyes. Itten said that the eyes want to balance, while In contrast, Aemilius also pointed out that the color gradients tend to be monotonous, allowing them to have systematic biases that can make them more attractive. The commercial value of color is based on this human brain's preference instinct, after consumers start watching. The environment or objects are judged within 90 seconds, and most people are based on color. Professor Katherine Jensen of the United Kingdom has pointed out that green products and businesses are found faster in busy retail centers such as supermarkets or shopping centers. Under computer technology, more and more harmonious colors have been excavated in RGB, which greatly enriches the concept that color can be expressed and is widely used in commercial art. In the future, color theory will be influenced by the development of media and technology, pigment innovation, new technology surface, aesthetic demonstration, visual customization, and information transmission.


In my work, I want to use Dada's contingent creation to express challenges to the bourgeoisie and even the traditional aesthetic concept. At the same time, the coloring of the timeline helps me to express dialectics, different colors. Combinations can express feelings. I will use random software systems to arrange random RGB colors, and use chaotic color emotions to negate the aesthetic concepts of the bourgeoisie that the color used to represent and the information concept that now represents consumption. Encourage the proletariat to challenge.

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