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Dadaist and AOC

Dada art originated from the massacre of the First World War. Artists began to have different political views and anarchism. Dada began to question the value of art and questioned the existence of art only to serve the bourgeoisie and make them more indulgent. Dada believes that the art of the past is an escape, and their mission is to solve the problem. Even if risking his life, Dada hopes to put himself at the center of things, expressionism wants to forget himself, Dada wants to affirm the artist. , affirmation of self. Therefore, Dada began to oppose the bourgeoisie, oppose the traditional escaping art, and put the essence of the matter in front of the oppressed class. This coincides with the project that I am currently doing to change the human development process. In essence, we all want to put the essence of the bourgeoisie in front of the oppressed, put the work at the center of the matter, thereby indicating several possibilities for future development, and encouraging the proletariat to resist and defend itself. The power that should be.


Dada’s dislike of the bourgeoisie and contempt for traditional art made them ignore the value and skill of traditional art, which served as a beacon for later art development, and Dada’s contingent art was also prominent. It shows their challenge to tradition, and I would like to add the contingent artistic expression to my final work, which makes it easy for people to reach, such as Jean Arp's work, Rectangles Ananged according to the laws of chance, He put a few sheets of paper in a random way, let them fall freely on the background, although this still has traces of aesthetic modification according to composition, and the aesthetic composition of the one-third principle between colors, but overall, they are still It is challenging. George Grosz's The Pillars of Society is the irony of the bourgeoisie and the ruling class at the time and the accomplice of the intellectuals. The objects in the works are sacred, but these items are in the hands of the bourgeoisie. Hypocrisy and cruelty are manifested in vividness. For example, palm is a symbol of peace, but it is held in the palm of the blood and the newspaper behind it. This has become a symbol of satirical bourgeois hypocrisy. I want to use plants to express dialectical views in my works. Historical mobility, the palm of blood gave me a lot of inspiration.




I want to use software to make a kind of accidental calculation in my works, which is more in line with the social background of artificial intelligence. At the same time, palm and blood are displayed on the new circulation system of capital, which directly leads to the new contradiction between the proletariat and the bourgeoisie. theme. In addition, the paste of different items is also a lot of methods used by Dada, which helps to highlight contradictions and the theme of the work. I think the final result is not necessarily important, but Dada's way of expression is very important, because this work is to solve the problem, not to forget or escape.

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